Background Image
Digital Series #1

CON GRAZIA




  • Alex Murray
  • Nicholas Korody
  • Emma Charles
  • Hashdox / Egor Kraft
  • Jacob Hurwitz-Goodman
  • Do Not Research
  • Dana Dawud
  • Jacob Broms Engblom
  • Miglė Vyčinaitė
  • New Scenario
  • Rustan Söderling
  • Alex Declino
Project Image


Mediations; the infrastructure of our digital existence, the pervasive reach of surveillance, the fluidity of online identity, and the boundless possibilities of world-building. Each pixel, line of code, and digital construct serves as both canvas and commentary. The virtual bleeds seamlessly into the real, illuminating the myriad ways in which technology shapes, distorts, and enriches our lives.

Throughout our platform, we feature a rotating selection of works from artists at various stages of their careers, each bringing a unique perspective to the digital conversation. Despite their diverse methods and expressions, these artists share a common goal: to transcend traditional art world structures and engage audiences on new, digital terms. Each segment begins with a contribution from a theorist or platform that has significantly influenced the discourse around the theme, setting the stage for the artistic explorations that follow. These introductions, whether in the form of talks, readings, or essays, are not just preludes; they are integral parts of the narrative we weave. They provide context, provoke thought, and invite critical engagement. By integrating these contributions into our web interface, we ensure that each segment is both engaging and accessible, creating a rich, ongoing archive that serves as a resource for future exploration.

A journey through the digital—a slice of binary space where the boundaries of the real are constantly being redrawn, and where every work is an invitation to see the digital realm anew. As you navigate our platform, we hope you find it a space for both discovery and reflection. Here, art and technology converge, illuminating the complexities of our interconnected world.


This project is made possible with the support of the Swedish Art Council.



2023

19m 24s
HD video


On Location presents as a dioramic stage play which unravels the history of a place known only as "The Site," tracing its evolution in reverse through a series of imagined historical ages. At the heart of this performance is a lecture delivered by "The Society," a group obsessed with cataloging every detail of the site. The true significance of The Site is never explicitly revealed, but the speaker's reverence suggests an almost sacred importance. As the lecture moves closer to the present, behind-the-scenes glimpses of the production reveal the artificiality of the performance, inviting the viewer to question the boundaries between reality and fiction. The film delves into the impossibility of fully understanding the past, highlighting the futility of freezing time or capturing the truth of any historical moment. The film playfully interrogates the construction of history itself, asking which narratives survive, who controls them, and how history, like some experimental stage play, is constantly rewritten.


Rustan Söderling (1984) is an artist from Gothenburg (SE) based in Amsterdam (NL) whose work focuses primarily on moving-image and animation. He studied at the Gerrit Rietveld Academie (Amsterdam) and completed a two-year residency at De Ateliers (Amsterdam). His current preoccupations involve the mutability of history, the spread of misinformation and the contemporary climate crisis.