GEORGIOS TSIONGAS
Östra Örten
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The video work traces the interplay of warmth and absurdity within the bond that develops between two individuals (Giorgos and Bosse) with little knowledge of each other. Moreover, it explores the fluidity of the subject's role, transitioning between being in front of and behind the camera to portray the evolving dynamics of their relationship, which primarily revolves around the act of filming.
The video work traces the interplay of warmth and absurdity within the bond that develops between two individuals (Giorgos and Bosse) with little knowledge of each other. Moreover, it explores the fluidity of the subject's role, transitioning between being in front of and behind the camera to portray the evolving dynamics of their relationship, which primarily revolves around the act of filming.
The video work traces the interplay of warmth and absurdity within the bond that develops between two individuals (Giorgos and Bosse) with little knowledge of each other. Moreover, it explores the fluidity of the subject's role, transitioning between being in front of and behind the camera to portray the evolving dynamics of their relationship, which primarily revolves around the act of filming.
The video work traces the interplay of warmth and absurdity within the bond that develops between two individuals (Giorgos and Bosse) with little knowledge of each other. Moreover, it explores the fluidity of the subject's role, transitioning between being in front of and behind the camera to portray the evolving dynamics of their relationship, which primarily revolves around the act of filming.
The video work traces the interplay of warmth and absurdity within the bond that develops between two individuals (Giorgos and Bosse) with little knowledge of each other. Moreover, it explores the fluidity of the subject's role, transitioning between being in front of and behind the camera to portray the evolving dynamics of their relationship, which primarily revolves around the act of filming.
The video work traces the interplay of warmth and absurdity within the bond that develops between two individuals (Giorgos and Bosse) with little knowledge of each other. Moreover, it explores the fluidity of the subject's role, transitioning between being in front of and behind the camera to portray the evolving dynamics of their relationship, which primarily revolves around the act of filming.